Case study 4-2 Virtually There Example | Topics and Well Written Essays - 500 words

4-2 Virtually There - Case Study Example Therefore the patients are able to draw on the knowledge of a lot of doctors. These doctors positioned in other locations can be acquainted with modern treatments or can have a new look on the treatment alternatives. The scenario outlines a real-time corporate shared data network. In this scenario, some of the other communication technology based facilities can comprise electronic repositories, electronic collaboration systems and video teleconferencing. In this answer I will present the possible ideas and suggestions which can be adopted by Dr. Esserman in order to successfully manage this virtual team. In order to successfully manage such team we need to take care of some the issues and areas, which are: (Turban, Leidner, McLean, & Wetherbe, 2005; Laudon & Laudon, 1999) Privacy/security: How will the privacy of patient’s data and information records are maintained? In a world which is more and more concerned with privacy, the privacy of patient records have to be addressed. Liability: Recognizing the extensive issues for medical malpractice, who will take the responsibility for problem cases? The students can react to physician who provides help as the preliminary point of contact; however it cannot be probable to consequently carefully restrict liability. Compensation: How will the project team associates be rewarded for their participation? For the team to effort over a long term, a number of systems will require to be planed to recompense the physicians for their time. As the quality of their contribution will carry on being significant for these virtual teams, there requires being a number of drivers for the physicians’ participation. Communication: How will the important data and information are communicated to the patient? Who will be accountable for up-holding the communication technology? Students can be worried about how the responsive information has to be

Film Analysis Paper Research Example | Topics and Well Written Essays - 1250 words

Film Analysis - Research Paper Example Mario Puzo’s book was optioned from the first fifty pages written in a unilateral decision by the head of Paramount Studios. Many studio executives and technicians distanced themselves from the idea of making this film because the Kirk Douglas film â€Å"The Brotherhood† had failed so badly in 1970. Coppola saw that flop as an indicator that films based on Italian-Americans should not be cast with non Italian-Americans. â€Å"I liked the idea of starting the movie†¦with, ‘I believe in America,’ because it’s what the whole movie is about,† reflected Francis Ford Coppola. â€Å"It’s saying that our country should be our family in a way, that it should afford us the protection and the honour that, in a strange way, this Mafia family does.† (Hogg) So, Coppola set out to write a movie about a traditional Italian-American family, an organized crime family and the American family; all of these families with common tradition and his tory and, most importantly, the American dream as foundations. Production History Paramount sought Coppola to direct The Godfather based on his Italian heritage. The studio felt the product could be more realistic if someone from those traditions led the project. Considering Coppola was broke and in the process of being evicted, it surprised everyone when he turned down the project because he did not like the novel. (Hogg) George Lucas intervened and Coppola found something he liked: the idea of the metaphoric connection among social, business and national family identity and process. Michael was America. For studio purposes, Coppola needed to insert some gangster film symbols (Manchel 2003), but the theme is family. The first production battle involved setting. The original script was set in the 1960s and 1970s, with hippies. (Hogg) The story was based on 1945-1955 events within the crime family. Coppola fought for and won the additional budget for a period film instead of saving m oney with a contemporary setting. The production budget was quickly increasing from $2 million to $6.8 million. One reason the studio requested Coppola was the director’s thrift in production. The Coppola vision for The Godfather, however, was not inexpensive. Casting proved to be the next production obstacle. Coppola believed other films failed at the box office because moviegoers did not believe Kirk Douglas as an Italian crime boss. Coppola wanted Italian heritage actors. The studio wanted Robert Redford to play Michael. (Hogg) Finally, the studio assigned a crew to film The Godfather. Coppola fired almost everyone because of the corrupt, undermining studio politics among the disorganized and poor teamwork oriented studio employees. The studio thought Coppola would do as instructed since he, superficially, needed the money. The studio was incorrect, but ultimately rewarded for their difficulties with an $86 million gross in the first two months (1972 dollars). Coppola esta blished himself as the auteur director that he dreamed of becoming; however, this dream reduced his capacity to be a writer-director as he originally wanted. (Hogg) Artistic Importance â€Å"Coppola’s The Godfather, Part One is distinguished among other things by the number of scales or levels upon which it operates. In its combination of epic structure and highly individuated family melodrama, it is perhaps the American Film which most closely approximates the nineteenth-century